Friday, 26 December 2008
Searchers for Francis Lucille look no further!
Please stop by a little longer than you do.
Take a look around at where Google in its wisdom has brought you in your search for your effervescent Guru.
There are good words here. Wisdom too - if you've got the eyes.
And patience.
Hunt out a gem and if you find it, let me know and be on your merry way to your incomparable French man.
And for those who don't know, you'll find some beautiful Francis here.
And for something that will completely blow your mind, if you let it: Babaji
And finally something from my own dear Guru, posted a couple of days before I met her
Searchers for Francis Lucille look no further!
Please stop by a little longer than you do.
Take a look around at where Google in its wisdom has brought you in your search for your effervescent Guru.
There are good words here. Wisdom too - if you've got the eyes.
And patience.
Hunt out a gem and if you find it, let me know and be on your merry way to your incomparable French man.
And for those who don't know, you'll find some beautiful Francis here.
And for something that will completely blow your mind, if you let it: Babaji
And finally something from my own dear Guru, posted a couple of days before I met her
Diary of an unborn writer #9
Not in a slow way. Quite abrupt. We’ve been having a jolly Christmas in the desert – the expats – that’s my family and I and over-bronzed Brits and South Africans they’ve befriended. Dear people. Good people. Making their way in the desert.
The desert defines Dubai. Defines and fulfils it. It’s taken me five years of coming here but finally I see it. The space. Gaps between buildings filled with sand. Sand either side of motorways lined with date palms and floodlights. Space between people. Looseness of connection. A relaxedness. More space for the self. More time for each other.
And the expat kids take it up grandly. They’re crazy. Whiling away hard hours in tax free jobs, earnings flowing into torrents of alcohol, 4x4 desert trips, then holidays skiing in Iran. They take everything this empty town has and give it back hugely to the world.
So the desert fulfils Dubai. There are many who have seen this plot and curse its rapid development. The rate at which towers scrape the ever blue sky. Forests of skyscrapers in all crazy designs mirroring ambition, largesse and most of all greed - the large eyes of prospectors knowing that as long as the development continues folk will be persaded to keep coming, keep building. Onrush and onslaught of celebrity purses and the common cattle following to where the footballers tread. There’s an ugly side here and for a while that’s all I could see until the space seeped through and I began to realise the emptiness – desolateness – of the desert town was its message not a form of abuse (though plenty still do).
The desert fulfils Dubai. Somehow expected it. Wanted it to grow as if to say: have all this, grow all this, desire all of it again, I’ll still be a space with broad enough arms to take your India, Pakistan, Britain, America, China, IBM, CNN, Al Jazeera, BBC, Financial Times and warring tribes place them in towers 1 km high and somehow you’ll forget in the cracks and widespaces between concrete dreams that the space holds you, embraces you, allows you to debauch and respect each other. This noise you create confirms how loud my silence rings.
Yes.
The desert fulfils Dubai.
***
I came out here via Istanbul. A hair’s breadth of a missed transfer meant I spent an unexpected night in the ancient city. Although I was put up in a hotel 2 hours outside the city so visiting it and making the connecting flight was not an option. That and I was broke.
The stop was not entirely dry. The food was good and I had been a little adrift of the world news until I viewed six continuous cycles of BBC World and CNN – clicking between channels for variation. It’s a strange pair of goggles with which to view the world.
And there was a lady. Stunning. Short black hair with flecks of grey like she’d undergone some trauma. A turk, she’d spent the last year in Rotterdam studying architecture. Had a visa fuck up and was thrown in a tower block of asylum seekers whores and families of 16 in 2 bedroom apartments.
She had those devastating Turkish eyes that glow as if from beneath a veil.
Yasmin the Turk.
She also had scratches on both hands and a bandage covering her left wrist. I was worried about her. She explained the bandage covered a new tattoo, pulling it back to reveal a picture of a snake that had swallowed a baby elephant in the fashion of The Little Prince – a child’s story of fitting loneliness and longing for a lady lost from home and it seems in a little adrift from the little planet. Retreating to dreamland was the safest place to be.
The scratches, incidentally, were from her cat that kept biting her. Somehow didn’t fit.
As a young man and a young woman would do when left alone in a hotel room, we fucked.
At times it felt like she was an insect as she clawed at my face and sides, though she was a peaceful little bug.
It felt good. Serene. Two people who have nothing to give each other but a sudden emotional bond with a safety valve of never seeing the other again. I'm not being cynical, the immediacy was beautiful.
***
And then on to Dubai where the building had stopped. A hectic thrust and pace of development has astonished me every time I’ve been. Swarms of workers in blue overalls – like an orchestra conducted by vast yellow metal cranes. The little black dots of their heads no doubt beaded by sweat as they worked round the clock in up to forty degree heat to fulfil the speculators dreams and most of all not stop before people could draw breath.
But now the breath has come. A deep inhale and the building has stopped. Dead. The workers have gone – back to India, Bangladesh, Pakistan and Phillipines. Money’s dried up – overborrowed and hysterically spent.
A city built to house generations of sun seekers can barely fill one tenth of its rooms.
And for a second there we really thought it could escape. Do what Florida, Wall St, today’s credit market could not do and outpace the resources that underpinned it.
A relief to know that gravity still holds sway. We’re not quite ready for intergalactic speculation, though I’m sure there are a few around with the dollar to push worlds around if they choose.
Which they do.
Imagine if one of them is Buddha. I think we’re going to be OK.
Diary of an unborn writer #9
Not in a slow way. Quite abrupt. We’ve been having a jolly Christmas in the desert – the expats – that’s my family and I and over-bronzed Brits and South Africans they’ve befriended. Dear people. Good people. Making their way in the desert.
The desert defines Dubai. Defines and fulfils it. It’s taken me five years of coming here but finally I see it. The space. Gaps between buildings filled with sand. Sand either side of motorways lined with date palms and floodlights. Space between people. Looseness of connection. A relaxedness. More space for the self. More time for each other.
And the expat kids take it up grandly. They’re crazy. Whiling away hard hours in tax free jobs, earnings flowing into torrents of alcohol, 4x4 desert trips, then holidays skiing in Iran. They take everything this empty town has and give it back hugely to the world.
So the desert fulfils Dubai. There are many who have seen this plot and curse its rapid development. The rate at which towers scrape the ever blue sky. Forests of skyscrapers in all crazy designs mirroring ambition, largesse and most of all greed - the large eyes of prospectors knowing that as long as the development continues folk will be persaded to keep coming, keep building. Onrush and onslaught of celebrity purses and the common cattle following to where the footballers tread. There’s an ugly side here and for a while that’s all I could see until the space seeped through and I began to realise the emptiness – desolateness – of the desert town was its message not a form of abuse (though plenty still do).
The desert fulfils Dubai. Somehow expected it. Wanted it to grow as if to say: have all this, grow all this, desire all of it again, I’ll still be a space with broad enough arms to take your India, Pakistan, Britain, America, China, IBM, CNN, Al Jazeera, BBC, Financial Times and warring tribes place them in towers 1 km high and somehow you’ll forget in the cracks and widespaces between concrete dreams that the space holds you, embraces you, allows you to debauch and respect each other. This noise you create confirms how loud my silence rings.
Yes.
The desert fulfils Dubai.
***
I came out here via Istanbul. A hair’s breadth of a missed transfer meant I spent an unexpected night in the ancient city. Although I was put up in a hotel 2 hours outside the city so visiting it and making the connecting flight was not an option. That and I was broke.
The stop was not entirely dry. The food was good and I had been a little adrift of the world news until I viewed six continuous cycles of BBC World and CNN – clicking between channels for variation. It’s a strange pair of goggles with which to view the world.
And there was a lady. Stunning. Short black hair with flecks of grey like she’d undergone some trauma. A turk, she’d spent the last year in Rotterdam studying architecture. Had a visa fuck up and was thrown in a tower block of asylum seekers whores and families of 16 in 2 bedroom apartments.
She had those devastating Turkish eyes that glow as if from beneath a veil.
Yasmin the Turk.
She also had scratches on both hands and a bandage covering her left wrist. I was worried about her. She explained the bandage covered a new tattoo, pulling it back to reveal a picture of a snake that had swallowed a baby elephant in the fashion of The Little Prince – a child’s story of fitting loneliness and longing for a lady lost from home and it seems in a little adrift from the little planet. Retreating to dreamland was the safest place to be.
The scratches, incidentally, were from her cat that kept biting her. Somehow didn’t fit.
As a young man and a young woman would do when left alone in a hotel room, we fucked.
At times it felt like she was an insect as she clawed at my face and sides, though she was a peaceful little bug.
It felt good. Serene. Two people who have nothing to give each other but a sudden emotional bond with a safety valve of never seeing the other again. I'm not being cynical, the immediacy was beautiful.
***
And then on to Dubai where the building had stopped. A hectic thrust and pace of development has astonished me every time I’ve been. Swarms of workers in blue overalls – like an orchestra conducted by vast yellow metal cranes. The little black dots of their heads no doubt beaded by sweat as they worked round the clock in up to forty degree heat to fulfil the speculators dreams and most of all not stop before people could draw breath.
But now the breath has come. A deep inhale and the building has stopped. Dead. The workers have gone – back to India, Bangladesh, Pakistan and Phillipines. Money’s dried up – overborrowed and hysterically spent.
A city built to house generations of sun seekers can barely fill one tenth of its rooms.
And for a second there we really thought it could escape. Do what Florida, Wall St, today’s credit market could not do and outpace the resources that underpinned it.
A relief to know that gravity still holds sway. We’re not quite ready for intergalactic speculation, though I’m sure there are a few around with the dollar to push worlds around if they choose.
Which they do.
Imagine if one of them is Buddha. I think we’re going to be OK.
Saturday, 20 December 2008
Friday, 19 December 2008
Kali
The Goddess Kali came to London
Daggered teeth and acid tongue
Mourned the streets for their depravity
Innocence dazed, tore out its lungs
Fire spewed along Embankment
Rain of hell across the Strand
So to show the poison
That lives in every man
Her blade chopped and mashed to pulp
Heads that tried but could not speak
Surprised that Lady Fate should damn
Their commuter shift next week
Kali
The Goddess Kali came to London
Daggered teeth and acid tongue
Mourned the streets for their depravity
Innocence dazed, tore out its lungs
Fire spewed along Embankment
Rain of hell across the Strand
So to show the poison
That lives in every man
Her blade chopped and mashed to pulp
Heads that tried but could not speak
Surprised that Lady Fate should damn
Their commuter shift next week
Diary of an unborn writer #8
On the way home from Rotterdam where I've been to see Xavier Rudd - a bearded Australian hippy man who doubles as an international shaman.
Playing guitar (mostly slide) drums and didgereedoo, he kicks off with techno and a bass blast on the didge that shakes the chest of each of us there.
United in a single note - the crowd is primed.
As he blows and bangs and slides his way around fretwork he's making shapes with his hands. Animal shapes like snakes and buffalo horns - the way the old shamans would to call an animal spirit to guide, lead, empower and flow through them.
He doesn't need to play music anymore, just express that sprit as it flows through manifesting as hymns for the Earth and love of good people.
An exceptional beautiful man.
And you can feel it too. That night I dreamed of snakes and buffalo, flowing through expressing through my days.
He ends the night alone holding a stick high above his head. On one end is a dream catcher, the other two eagle feathers.
He speaks aloud a poem "while polar bears still give birth to their arctic young" (I'm paraphrasing). And none if the assembled moves an inch.
I've been watching with Evelyne beside me. She's found the crowd a little much. We leave, collect our coats and out into cold December rain. Heading for the station I'm thinking I could get used to this one.
We kiss goodbye.
Diary of an unborn writer #8
On the way home from Rotterdam where I've been to see Xavier Rudd - a bearded Australian hippy man who doubles as an international shaman.
Playing guitar (mostly slide) drums and didgereedoo, he kicks off with techno and a bass blast on the didge that shakes the chest of each of us there.
United in a single note - the crowd is primed.
As he blows and bangs and slides his way around fretwork he's making shapes with his hands. Animal shapes like snakes and buffalo horns - the way the old shamans would to call an animal spirit to guide, lead, empower and flow through them.
He doesn't need to play music anymore, just express that sprit as it flows through manifesting as hymns for the Earth and love of good people.
An exceptional beautiful man.
And you can feel it too. That night I dreamed of snakes and buffalo, flowing through expressing through my days.
He ends the night alone holding a stick high above his head. On one end is a dream catcher, the other two eagle feathers.
He speaks aloud a poem "while polar bears still give birth to their arctic young" (I'm paraphrasing). And none if the assembled moves an inch.
I've been watching with Evelyne beside me. She's found the crowd a little much. We leave, collect our coats and out into cold December rain. Heading for the station I'm thinking I could get used to this one.
We kiss goodbye.
Diary of an unborn writer #6
Settled down.
Mute loneliness became our accepted barrier, knowing we could not breach it anywhere so we became easy, patient.
And for the first time I didn't move.
Enjoyed her company. Stopped trying to be the perfect couple, or love like the perfect man and gradually the boundaries softened.
Sex was the first to ripen. Halting fits, nowhere near the realms of climax yielded to soft, mellow orgasms - the kind of thunder quake you catch at the end of melting summer breeze if you're sly enough to witness it.
And this woman - never lacking aesthetically - began to glow in my eyes. A quiet companion, indefatiguable. The depths had not been plumbed and excitement was easily found elsewhere but perhaps our ideas of love had been misplaced anyway.
The easy times gave way to a deeply devoted peace. Acceptance of her became like a realisation of the gift she was.
Some angels speak in secrets, hers was a speech plain less refined.
She'd tell it like it was and the music of it grated, then moulded, made me the man I have become.
Not better, but different. Moulded by gratitude of her.
She died a year ago, next Tuesday.
Car crash - could have happened to anybody.
Diary of an unborn writer #6
Settled down.
Mute loneliness became our accepted barrier, knowing we could not breach it anywhere so we became easy, patient.
And for the first time I didn't move.
Enjoyed her company. Stopped trying to be the perfect couple, or love like the perfect man and gradually the boundaries softened.
Sex was the first to ripen. Halting fits, nowhere near the realms of climax yielded to soft, mellow orgasms - the kind of thunder quake you catch at the end of melting summer breeze if you're sly enough to witness it.
And this woman - never lacking aesthetically - began to glow in my eyes. A quiet companion, indefatiguable. The depths had not been plumbed and excitement was easily found elsewhere but perhaps our ideas of love had been misplaced anyway.
The easy times gave way to a deeply devoted peace. Acceptance of her became like a realisation of the gift she was.
Some angels speak in secrets, hers was a speech plain less refined.
She'd tell it like it was and the music of it grated, then moulded, made me the man I have become.
Not better, but different. Moulded by gratitude of her.
She died a year ago, next Tuesday.
Car crash - could have happened to anybody.
Mukti
And cried and prayed
The Red man's song on his lips
And California drawl like a desert
Pouring into your lap
He arrived
Prayed
Poured
And went
We were left dazed and horrified
Could California speak so sweet?
Or a feather so coarse?
He was gone
So we didn't know
Mukti
And cried and prayed
The Red man's song on his lips
And California drawl like a desert
Pouring into your lap
He arrived
Prayed
Poured
And went
We were left dazed and horrified
Could California speak so sweet?
Or a feather so coarse?
He was gone
So we didn't know
Love #2
Rendered me complete
Flaying acids pierce this tongue
The better to lick you sweet
Love #2
Rendered me complete
Flaying acids pierce this tongue
The better to lick you sweet
Larch
Stick your penny in with mine
We'll sing for all we haven't done
For which we did not die
Rainbow on ruins yet to fall
Gold raindrops from the sky
Mother's blessing as a curse
Before we wonder why
You've gone again
Not to return
At least in this soft shape
See you in another time
Another startled scape
I'll know you with a haunted look
Your laughter dry and thin
Your eyes like worlds that found themselves
At the dusk day could not bring
(Red in them somehow reflected in the black)
Larch
Stick your penny in with mine
We'll sing for all we haven't done
For which we did not die
Rainbow on ruins yet to fall
Gold raindrops from the sky
Mother's blessing as a curse
Before we wonder why
You've gone again
Not to return
At least in this soft shape
See you in another time
Another startled scape
I'll know you with a haunted look
Your laughter dry and thin
Your eyes like worlds that found themselves
At the dusk day could not bring
(Red in them somehow reflected in the black)
Friday, 12 December 2008
Krishna
Krishna
A note was played by the wind chime on the veranda
Warm wind releasing the day’s heat swept up from the land
Away to our left the just set sun glowed above mountain tops
There’s Hesq, settled in the wicker rocking chair
Glass of vin rouge lovingly held between his two middle fingers
Its bowl moving gently with the chair
Three yards away I leaning against the veranda fence, one foot up against it,
Looking down at the floor, watching light-faded beetles bump into my shoe
Turn around find another away in the floor board cracks.
We’ve been finding other ways ourselves but finally made it here
Two roamers contemplating the path bewilderedly followed
Glad that it should reach this sunset lay-by
There’s really not much to say
A note was played by the wind chime on the veranda
Warm wind releasing the day’s heat swept up from the land
Away to our left the just set sun glowed above mountain tops
There’s Hesq, settled in the wicker rocking chair
Glass of vin rouge lovingly held between his two middle fingers
Its bowl moving gently with the chair
Three yards away I leaning against the veranda fence, one foot up against it,
Looking down at the floor, watching light-faded beetles bump into my shoe
Turn around find another away in the floor board cracks.
We’ve been finding other ways ourselves but finally made it here
Two roamers contemplating the path bewilderedly followed
Glad that it should reach this sunset lay-by
There’s really not much to say
Tuesday, 9 December 2008
Diary of an unborn writer #5
So what if I ate
Your precious last potato
So what if I ate
Your last can of sardines
So what if we had
Awkward sex that night when we were drunk
That what lovers do
When they’re called flatmates
I've been quite lucky with flastmates. I’m living now with a dear two who are set to be engaged. Luckily there’s been no sex between us though I am privy to their nightly gyrations through the oh-too-thin wall of our flat.
I thought I’d have my revenge when Zuza came over from Prague for a long weekend – a noisier hen you will not find – but somehow the bastards were sleeping. Damn them, but well done Zuza for stopping by, hope I’ll see her again some time.
Suzanne and Jens – the soon-to-be-weds – are like gems from Zeus’s harvest. Living in Amsterdam would have been a grimy hell had it not been for their warm and total assistance with anything I need. Job searches, paper work, food and money.
Suzanne even bought me a speaker set for Sinta Klaas – an early Dutch Christmas - because she knew how much I was upset by having to listen to Sufjan Stephens through a tinny laptop. Perhaps she overestimated my grief, but with twin 30W speakers and a kickingsub woofer, I can see how my old life grated.
Suzanne's only vice is the oppresiveness of her charity and sometimes, after a breakfast and smoothie delivered to me in bed, followed by tea, I feel a little like Lenny's mouse from Of Mice and Men. Such is the curse of living with a woman of spotless nature. Dependable and devoted, I love her like a closest sister and judge her just the same.
Jens is her fiancée. A German of considerable stature, we have completely nothing in common though I’ve never known such mute warmth. We engage each other with stories of drinking episodes or conversations about hot women. His luxuries are James Bond and video games and he makes an elegant simplicity out of loving them. I have never known anyone to laugh so hard at the Simpsons or to be so captivated by explosions.
A chef at a local hotel, I’ll occasionally come home to find pork chop and a dozen vegetables thrust in front of me and firm insistence that I eat.
These are good people with which I live, not least because they’ve taught me Northern European standards of house keeping. I now wash up with clockwork integrity and hang up my laundry the day it’s finished in the washing machine.
It is certain my habits have changed.
Two and a little bit years ago, I received a phone call from Thomas – a less elegantly clean German – calling all flatmates home to take on the kitchen.
There – in a scene that made Withnail & I look like Good Housekeeping - we found pie gravy on the walls, pasta-coagulated mould in the sink and green fur lining the bowls of several broken red wine glasses. Thomas had been right to call for the infantry and in keeping with the times, we decided to smoke a joint to prepare ourselves for the cleaning ordeal. Don’t recall how it got clean either.
It was a time when life was a separation between endless outdoor parties, I think I entertained three simultaneous lady friends, ecstasy charged our veins and red wine was our morning tea. We were also experimenting with seeds that contained an organic equivalent of LSA, that could be bought from the Head House across the street and amongst the pasta and pie gravy grime was apparatus of extract DMT – the chemical the body releases when you die.
I began to weep and welt through the mistress heavy month
Veins span chemically diffuse becoming rusty
Brain expanded to a pop
Heart wrecked for no one else
Drugs made this one a shell
Irrecognisable
Diary of an unborn writer #5
So what if I ate
Your precious last potato
So what if I ate
Your last can of sardines
So what if we had
Awkward sex that night when we were drunk
That what lovers do
When they’re called flatmates
I've been quite lucky with flastmates. I’m living now with a dear two who are set to be engaged. Luckily there’s been no sex between us though I am privy to their nightly gyrations through the oh-too-thin wall of our flat.
I thought I’d have my revenge when Zuza came over from Prague for a long weekend – a noisier hen you will not find – but somehow the bastards were sleeping. Damn them, but well done Zuza for stopping by, hope I’ll see her again some time.
Suzanne and Jens – the soon-to-be-weds – are like gems from Zeus’s harvest. Living in Amsterdam would have been a grimy hell had it not been for their warm and total assistance with anything I need. Job searches, paper work, food and money.
Suzanne even bought me a speaker set for Sinta Klaas – an early Dutch Christmas - because she knew how much I was upset by having to listen to Sufjan Stephens through a tinny laptop. Perhaps she overestimated my grief, but with twin 30W speakers and a kickingsub woofer, I can see how my old life grated.
Suzanne's only vice is the oppresiveness of her charity and sometimes, after a breakfast and smoothie delivered to me in bed, followed by tea, I feel a little like Lenny's mouse from Of Mice and Men. Such is the curse of living with a woman of spotless nature. Dependable and devoted, I love her like a closest sister and judge her just the same.
Jens is her fiancée. A German of considerable stature, we have completely nothing in common though I’ve never known such mute warmth. We engage each other with stories of drinking episodes or conversations about hot women. His luxuries are James Bond and video games and he makes an elegant simplicity out of loving them. I have never known anyone to laugh so hard at the Simpsons or to be so captivated by explosions.
A chef at a local hotel, I’ll occasionally come home to find pork chop and a dozen vegetables thrust in front of me and firm insistence that I eat.
These are good people with which I live, not least because they’ve taught me Northern European standards of house keeping. I now wash up with clockwork integrity and hang up my laundry the day it’s finished in the washing machine.
It is certain my habits have changed.
Two and a little bit years ago, I received a phone call from Thomas – a less elegantly clean German – calling all flatmates home to take on the kitchen.
There – in a scene that made Withnail & I look like Good Housekeeping - we found pie gravy on the walls, pasta-coagulated mould in the sink and green fur lining the bowls of several broken red wine glasses. Thomas had been right to call for the infantry and in keeping with the times, we decided to smoke a joint to prepare ourselves for the cleaning ordeal. Don’t recall how it got clean either.
It was a time when life was a separation between endless outdoor parties, I think I entertained three simultaneous lady friends, ecstasy charged our veins and red wine was our morning tea. We were also experimenting with seeds that contained an organic equivalent of LSA, that could be bought from the Head House across the street and amongst the pasta and pie gravy grime was apparatus of extract DMT – the chemical the body releases when you die.
I began to weep and welt through the mistress heavy month
Veins span chemically diffuse becoming rusty
Brain expanded to a pop
Heart wrecked for no one else
Drugs made this one a shell
Irrecognisable
Diary of an unborn writer #4
He played wise
Went to market
To make a life
Fashioned himself
With suit and tie
Now he's dead
By 35
(and he didn’t even need a coffin, stopped living long before the undertaker came)
A little epitaph for the gentleman in the last entry and perhaps for me. Forays into the world of work have so far been unencouraging, which is inconvenient because I like to eat.
The brief history goes:
In my final year of study there grew a tenacious civic nihilism, that recognised that life consisted in many fine things but couldn't see many of these about me. I'd spent years railing the capitalist order and this was coupled with the observation that almost all of my peers were debasing themselves in the rush to get an honest career.
Seriously, I know I'm a dreamer but this was appalling. You've got beautiful shiny ones perverted and contorted to making grey-faced excuses for a world they don’t understand.
At the time I was in the company of some gentlemen and considered ourselves enlightened. Actually, we believed the bohemian counter-revolution had begun in our brown-carpeted flat on Clerk St, Edinburgh. The communist manifesto sat in the toilet, art of the flat's inhabitants was on the walls. We would entertain weekly with outrageous drunken parties and never received a return invitation.
But there was something we were driving at, a shock to show the rest what they had missed. In the event they found us mostly offensive and retreated to their career paths. We're talking drama students turning credit analysts. Diamond beauties turning into dense clay sods - the better to be moulded.
We were spinning the kind of philosophy that drives poets to madness and greatness and for the majority it was decided we should be stopped. We became social outcasts, appearance at events almost considered a rebuke. And rightly, we were offensive. How do you contain an enlightened being when he's so keen to show how lowly you are. The social retribution was evidence in our eyes that the mustard seed of truth sprouted more willingly in our hearts and gave us cause to sprinkle it more.
Consolation of dire consequences you could call it.
So, political aspirations were put on hold. No, wait. I gave them a go, spending six months with the Scottish Green Party where I dribbled out an article on social enterprise. I would sit in a redundant gloomy alcove of Holyrood - a twisted concrete labrynth like the Sim City Arcologies that were considered victories - feigning an economic stupor while I researched apocalyptic predictions of 2012 and the best uses of Amethyst crystal.
My passion for alternative healing was born. I loved it because it was peaceful, presented an alternative to a world that I'd seen into too deeply for comfort and didn't involve drugs and alcohol which by that time had had quite their wicked way with me. Winding hands through an aura's psychic debris and soothing bruised emotions, it seemed that this was to be my Great Work. That 99% of the world thought it was barmy was more tantalising than I was prepared to admit at the time.
This ensued my first brush with Mr Market and His Method. Conclusion: He doesn't like Reiki.
Six months later and in a pit of despair about how this wounded soul could rub two coppers together without feeling like tw’penny whore, I was approached by a six foot tall, just as wide, Icelandic man with a short-cropped beard that went the name of Inky.
Mr Market had decided to take me by a firmer hand.
The ploy was to supply Reiki and massages for people in their hotel rooms - a wheeze no one had tried on a wide scale in Edinburgh at the time. Inky was the money and I was the gopher, securing deals and networking with therapists to make sure we had a steady supply. In the way of green-jacketed battalions in 1914, we thought we would be millionaires by Christmas.
Somehow the monetary onslaught didn’t sit too well with me. After a month I was slumped in a hotel lobby, knees held tight against an aching body, minutes after closing a deal and wondering why it didn’t feel too good.
It seemed that Mr Market had decided to teach me in six months what it usually takes a 25 year career culminating in divorce, suicide or unsavoury relations with your children’s au pair. Gratitude, however, has been a little slow in coming.
Inky, by the way, was a master of his sullied field. A ‘bottle a day man’ into his forties, he was a bulldozer of a businessman. He had a way of getting people to do precisely as he wanted and made them feel like he was doing them a favour. Every deal simply went his way. It was enough for him to wish it. It was as though those years spent on the bottle had submerged a quiet power, which now unleashed, was as devastating as he willed it to be. Luckily he was a beautiful man, making an art form of monetary prowess, and the world was spared the effects of what might have been a terrible rage.
His trophy wife was Freyja, who had survived the depths of alcoholism with him, herself putting it away like a tank. Now an artist, she'd have the oven on and kettle boiling the second I stepped through the door. Even after the collapse they remained dear friends. I made it a point to see them for a fortnightly breakfast.
To fill in the chronology, I got by as a care worker for a 21 year old named Stephan who suffered from cerebral palsy. A gem of a boy, I thought I was pretty good at the work, although my boss hated me. Couldn't understand why I didn’t make endless conversation with the guy while he was watching TV or playing his Playstation3 and filing suggestions to do otherwise in the garbage can.
OK - I didn't really make the suggestions too forcefully. I suggested walks when it was a rainy day and the cinema when I knew he didn’t have any money; and spent the hours he spent electronically entertained reading, writing, meditating and sleeping and getting paid £7.50 an hour for the privilege. It really was a fantastic job.
And there were a couple of moments each day, driving back from school or hosing him in the shower when we'd be singing along to Queen or Newton Falconer and I'd put my cultural cynic aside and enjoy the bliss these songs were giving him, start shouting the lyrics and make my voice go funny in the electonic segments, which caused him to roar with laughter.
In fact, some of the funniest moments of my life were when I was hauling shit from his arse with a rubber begloved hand as he sat suspended in a sling above the toilet.
So the boss got in the way. Got upset and started poisoning Stephan's mind against me. It was really quite sick. The guy's attitude completely hardened and my last months were spent trying to serve a man who didn't want to be served. Finally understood something of the pains of my mother, and a number of despairing lady friends.
So trust broke down and with it any capacity to do the job. I feel sorry for the boss though. She genuinely didn't understand. The frustration of ignorance taken out on the educated Englishman where, in this wild and rugged North, it was customary for him not to be understood.
I play this role as an innocent victim, but I knew I was driving her crazy and knew just as well that I was powerless to do anything about it. My facial angelicism has long been seen as a mocking wall of silence. I didn't say a thing and irritated her beyond redemption.
Just like this ball hanging in the blackness upon which we take step. Our favoured prayer is to scream into the void and confuse its silent reply that we're not shouting loud enough.
I think Mr Market is a shouting man, soon to be submerged by Mother Gaia.
And, man, won't He then know the meaning of roar.
Diary of an unborn writer #4
He played wise
Went to market
To make a life
Fashioned himself
With suit and tie
Now he's dead
By 35
(and he didn’t even need a coffin, stopped living long before the undertaker came)
A little epitaph for the gentleman in the last entry and perhaps for me. Forays into the world of work have so far been unencouraging, which is inconvenient because I like to eat.
The brief history goes:
In my final year of study there grew a tenacious civic nihilism, that recognised that life consisted in many fine things but couldn't see many of these about me. I'd spent years railing the capitalist order and this was coupled with the observation that almost all of my peers were debasing themselves in the rush to get an honest career.
Seriously, I know I'm a dreamer but this was appalling. You've got beautiful shiny ones perverted and contorted to making grey-faced excuses for a world they don’t understand.
At the time I was in the company of some gentlemen and considered ourselves enlightened. Actually, we believed the bohemian counter-revolution had begun in our brown-carpeted flat on Clerk St, Edinburgh. The communist manifesto sat in the toilet, art of the flat's inhabitants was on the walls. We would entertain weekly with outrageous drunken parties and never received a return invitation.
But there was something we were driving at, a shock to show the rest what they had missed. In the event they found us mostly offensive and retreated to their career paths. We're talking drama students turning credit analysts. Diamond beauties turning into dense clay sods - the better to be moulded.
We were spinning the kind of philosophy that drives poets to madness and greatness and for the majority it was decided we should be stopped. We became social outcasts, appearance at events almost considered a rebuke. And rightly, we were offensive. How do you contain an enlightened being when he's so keen to show how lowly you are. The social retribution was evidence in our eyes that the mustard seed of truth sprouted more willingly in our hearts and gave us cause to sprinkle it more.
Consolation of dire consequences you could call it.
So, political aspirations were put on hold. No, wait. I gave them a go, spending six months with the Scottish Green Party where I dribbled out an article on social enterprise. I would sit in a redundant gloomy alcove of Holyrood - a twisted concrete labrynth like the Sim City Arcologies that were considered victories - feigning an economic stupor while I researched apocalyptic predictions of 2012 and the best uses of Amethyst crystal.
My passion for alternative healing was born. I loved it because it was peaceful, presented an alternative to a world that I'd seen into too deeply for comfort and didn't involve drugs and alcohol which by that time had had quite their wicked way with me. Winding hands through an aura's psychic debris and soothing bruised emotions, it seemed that this was to be my Great Work. That 99% of the world thought it was barmy was more tantalising than I was prepared to admit at the time.
This ensued my first brush with Mr Market and His Method. Conclusion: He doesn't like Reiki.
Six months later and in a pit of despair about how this wounded soul could rub two coppers together without feeling like tw’penny whore, I was approached by a six foot tall, just as wide, Icelandic man with a short-cropped beard that went the name of Inky.
Mr Market had decided to take me by a firmer hand.
The ploy was to supply Reiki and massages for people in their hotel rooms - a wheeze no one had tried on a wide scale in Edinburgh at the time. Inky was the money and I was the gopher, securing deals and networking with therapists to make sure we had a steady supply. In the way of green-jacketed battalions in 1914, we thought we would be millionaires by Christmas.
Somehow the monetary onslaught didn’t sit too well with me. After a month I was slumped in a hotel lobby, knees held tight against an aching body, minutes after closing a deal and wondering why it didn’t feel too good.
It seemed that Mr Market had decided to teach me in six months what it usually takes a 25 year career culminating in divorce, suicide or unsavoury relations with your children’s au pair. Gratitude, however, has been a little slow in coming.
Inky, by the way, was a master of his sullied field. A ‘bottle a day man’ into his forties, he was a bulldozer of a businessman. He had a way of getting people to do precisely as he wanted and made them feel like he was doing them a favour. Every deal simply went his way. It was enough for him to wish it. It was as though those years spent on the bottle had submerged a quiet power, which now unleashed, was as devastating as he willed it to be. Luckily he was a beautiful man, making an art form of monetary prowess, and the world was spared the effects of what might have been a terrible rage.
His trophy wife was Freyja, who had survived the depths of alcoholism with him, herself putting it away like a tank. Now an artist, she'd have the oven on and kettle boiling the second I stepped through the door. Even after the collapse they remained dear friends. I made it a point to see them for a fortnightly breakfast.
To fill in the chronology, I got by as a care worker for a 21 year old named Stephan who suffered from cerebral palsy. A gem of a boy, I thought I was pretty good at the work, although my boss hated me. Couldn't understand why I didn’t make endless conversation with the guy while he was watching TV or playing his Playstation3 and filing suggestions to do otherwise in the garbage can.
OK - I didn't really make the suggestions too forcefully. I suggested walks when it was a rainy day and the cinema when I knew he didn’t have any money; and spent the hours he spent electronically entertained reading, writing, meditating and sleeping and getting paid £7.50 an hour for the privilege. It really was a fantastic job.
And there were a couple of moments each day, driving back from school or hosing him in the shower when we'd be singing along to Queen or Newton Falconer and I'd put my cultural cynic aside and enjoy the bliss these songs were giving him, start shouting the lyrics and make my voice go funny in the electonic segments, which caused him to roar with laughter.
In fact, some of the funniest moments of my life were when I was hauling shit from his arse with a rubber begloved hand as he sat suspended in a sling above the toilet.
So the boss got in the way. Got upset and started poisoning Stephan's mind against me. It was really quite sick. The guy's attitude completely hardened and my last months were spent trying to serve a man who didn't want to be served. Finally understood something of the pains of my mother, and a number of despairing lady friends.
So trust broke down and with it any capacity to do the job. I feel sorry for the boss though. She genuinely didn't understand. The frustration of ignorance taken out on the educated Englishman where, in this wild and rugged North, it was customary for him not to be understood.
I play this role as an innocent victim, but I knew I was driving her crazy and knew just as well that I was powerless to do anything about it. My facial angelicism has long been seen as a mocking wall of silence. I didn't say a thing and irritated her beyond redemption.
Just like this ball hanging in the blackness upon which we take step. Our favoured prayer is to scream into the void and confuse its silent reply that we're not shouting loud enough.
I think Mr Market is a shouting man, soon to be submerged by Mother Gaia.
And, man, won't He then know the meaning of roar.
Monday, 8 December 2008
He
Stir fries of all expensive tastes
Take you for moonlit walks
Ask you nicely about your day
He’ll make sure you never need to worry about a thing
For every need supplied with wry smile or pleasant grin
He’ll say to you the words that are convenient to hear
Such as how you make him laugh
Or how this clip sits well within your hair
He’ll kiss you with half curled lips
Stroke your skin with plastic thumb
Lick your skin with woollen tongue
Does he thrill you once he’s done?
You’ll be supplied and satisfied
No need to wonder what’s going on
The height of satisfaction
None of the daring, gasping sun
None of the shine that burns your skin
Makes you hurt, makes you cry
None of the love that shakes your heart
That you shy from as you said goodbye
None of the winter like it felt those weeks we were apart
None of the summer when you came back again
None of the thorns we threw like darts
Your love with him is comfortable
Like an IKEA sofa bed
For you no more four poster
Or the lover’s well-spilt blood
With him the sky is out of reach
The ground you’ll firmly stay
Let cold Earth comfort you
Your wings are tucked away
If you had seen the poet dance
The hunter kill his prey
Seen mastership in the twinkling eye
You’ll know from him it’s far away
The poet hurts and bruises
Can’t take every stinging dart
Can;t say to you what you want to hear
Though it breaks his strangled heart
He can love and gush upon you
Make you dream and spark and flower
Doesn’t wish so much for wilting
Carries the pain that love endures
Be happy with your quiet man
But know him as a fake
His script is fine but unrehearsed
His bread stale and overbaked
He’ll never know that freedom
Comes from letting go
Know that true love’s blooming
Hurts like salt cuts to the face
He
Stir fries of all expensive tastes
Take you for moonlit walks
Ask you nicely about your day
He’ll make sure you never need to worry about a thing
For every need supplied with wry smile or pleasant grin
He’ll say to you the words that are convenient to hear
Such as how you make him laugh
Or how this clip sits well within your hair
He’ll kiss you with half curled lips
Stroke your skin with plastic thumb
Lick your skin with woollen tongue
Does he thrill you once he’s done?
You’ll be supplied and satisfied
No need to wonder what’s going on
The height of satisfaction
None of the daring, gasping sun
None of the shine that burns your skin
Makes you hurt, makes you cry
None of the love that shakes your heart
That you shy from as you said goodbye
None of the winter like it felt those weeks we were apart
None of the summer when you came back again
None of the thorns we threw like darts
Your love with him is comfortable
Like an IKEA sofa bed
For you no more four poster
Or the lover’s well-spilt blood
With him the sky is out of reach
The ground you’ll firmly stay
Let cold Earth comfort you
Your wings are tucked away
If you had seen the poet dance
The hunter kill his prey
Seen mastership in the twinkling eye
You’ll know from him it’s far away
The poet hurts and bruises
Can’t take every stinging dart
Can;t say to you what you want to hear
Though it breaks his strangled heart
He can love and gush upon you
Make you dream and spark and flower
Doesn’t wish so much for wilting
Carries the pain that love endures
Be happy with your quiet man
But know him as a fake
His script is fine but unrehearsed
His bread stale and overbaked
He’ll never know that freedom
Comes from letting go
Know that true love’s blooming
Hurts like salt cuts to the face
Saturday, 6 December 2008
Diary of an unborn writer #3
The owner, Unmani, is a dreadlocked Italian with a smoke-begotten rasp from a life on the tough. She’s celebrated, sure, gone through all trials of celebration but is no shirker.
Down the road from her is a woman in her forties with multiple sclerosis up to the neck. Unmani takes care of her and a team of eight women – friends who have decided the lady’s last paralysed days should not be spent abandoned.
The lady lies on her bed, lungs heaving with their lessening ability to breathe. And by her side, along with the eight other women is her ex-lover who too refuses to walk away.
He's a KLM flight attendant with another girlfriend who won’t stop pestering him to leave the MS sufferer alone. But so far he has remained resolute, calling his ex every day if he cannot see her in person.
Unmani tells me all this from an Italian-accented mouth crevassed on either side by lines that have seen entirely too much shockery. Around her are crack addicts and alcoholics and she seems to be a bolster for them while dabbling a little in their vices.
She is no doubt a healer – to which her deeply rifted geometry doesn’t quite give lie.
Unmani - think there’s the Sanskrit for lotus in there.
“Om Mani Padme Hum” – “I am one with the jewel of the lotus” in the Tibetan way.
I spent a happy day holding the door open. Unmani couldn’t be in the shop so I sat behind the desk giving information to the (three) customers that came in the door.
And then came a fourth – man with a crooked throat, who wanted a healing then and there.
I obliged.
A burnt out career and woman that had left him had led him to my healing table. He was suffering from weak kidneys and therefore low energy. (Chinese medicine it's the kidneys that hold your jing or sacred essence).
It’s strange how the soul speaks. You could see he was suffering but he seemed overjoyed to be there. Body broken, mind numb, wondering what the hell his next steps were, though his eyes betrayed by dint of shining that the release had come, that resolution may be in sight.
Not seeing that this resolution is nothing but a revolution and it goes round and round and round.
Steps, though, ring a little more joyfully when they’re taken off the treadmill.
Diary of an unborn writer #3
The owner, Unmani, is a dreadlocked Italian with a smoke-begotten rasp from a life on the tough. She’s celebrated, sure, gone through all trials of celebration but is no shirker.
Down the road from her is a woman in her forties with multiple sclerosis up to the neck. Unmani takes care of her and a team of eight women – friends who have decided the lady’s last paralysed days should not be spent abandoned.
The lady lies on her bed, lungs heaving with their lessening ability to breathe. And by her side, along with the eight other women is her ex-lover who too refuses to walk away.
He's a KLM flight attendant with another girlfriend who won’t stop pestering him to leave the MS sufferer alone. But so far he has remained resolute, calling his ex every day if he cannot see her in person.
Unmani tells me all this from an Italian-accented mouth crevassed on either side by lines that have seen entirely too much shockery. Around her are crack addicts and alcoholics and she seems to be a bolster for them while dabbling a little in their vices.
She is no doubt a healer – to which her deeply rifted geometry doesn’t quite give lie.
Unmani - think there’s the Sanskrit for lotus in there.
“Om Mani Padme Hum” – “I am one with the jewel of the lotus” in the Tibetan way.
I spent a happy day holding the door open. Unmani couldn’t be in the shop so I sat behind the desk giving information to the (three) customers that came in the door.
And then came a fourth – man with a crooked throat, who wanted a healing then and there.
I obliged.
A burnt out career and woman that had left him had led him to my healing table. He was suffering from weak kidneys and therefore low energy. (Chinese medicine it's the kidneys that hold your jing or sacred essence).
It’s strange how the soul speaks. You could see he was suffering but he seemed overjoyed to be there. Body broken, mind numb, wondering what the hell his next steps were, though his eyes betrayed by dint of shining that the release had come, that resolution may be in sight.
Not seeing that this resolution is nothing but a revolution and it goes round and round and round.
Steps, though, ring a little more joyfully when they’re taken off the treadmill.
Diary of an unborn writer #2
Oh, I had been reading, remembering what it is to learn. The duvet piled in soft furrows, my most frequented landscape.
It shifts between bouts of snoozing and masturbation.
Today could be hard, so I’ll thwart it by being easy.
Easy in the avoiding way. Easy in the way of Nelson holding the telescope to his bad eye and seeing no ships. There’s not much that can go wrong when the day’s activity is a scout in a pocket for loose change which is duly exhausted on a packet of pasta and a tin of beans, maybe a thumb of wine in an eetcafe on the way home.
Cooking is my great luxury. Persuades from obsolescence -my instinct.
Obsolescence is the luxury, in fact. Saves from having to do. I’m jealous of these doing types with routines. Seriously. I hate them and I'm jealous. There is everything that is wrong and good in man. Structure, engagement, participation in the stink - though it saps them.
I mean, how can a person walk down a hospital hallway? Or a street for that matter? It’s not the pain but the dullness of it. We’re forced to be dulled because full acknowledgement would be a horror none of us could take.
The news spews what’s going on in our very streets. You find me over the top – an indignant huffing and hum of “Don’t want to look, there’s really no need”.
And I believe you. It’s where I am too.
I used to think that Satre’s protagonist in Nausea was a man of outstanding consciousness. Seeing a cold world passing him by.
He was not – just avoiding.
I don’t think Satre himself was avoiding. Even if he did bring his mistress with him on is hholidays with Simone de Beauvoir.
Diary of an unborn writer #2
Oh, I had been reading, remembering what it is to learn. The duvet piled in soft furrows, my most frequented landscape.
It shifts between bouts of snoozing and masturbation.
Today could be hard, so I’ll thwart it by being easy.
Easy in the avoiding way. Easy in the way of Nelson holding the telescope to his bad eye and seeing no ships. There’s not much that can go wrong when the day’s activity is a scout in a pocket for loose change which is duly exhausted on a packet of pasta and a tin of beans, maybe a thumb of wine in an eetcafe on the way home.
Cooking is my great luxury. Persuades from obsolescence -my instinct.
Obsolescence is the luxury, in fact. Saves from having to do. I’m jealous of these doing types with routines. Seriously. I hate them and I'm jealous. There is everything that is wrong and good in man. Structure, engagement, participation in the stink - though it saps them.
I mean, how can a person walk down a hospital hallway? Or a street for that matter? It’s not the pain but the dullness of it. We’re forced to be dulled because full acknowledgement would be a horror none of us could take.
The news spews what’s going on in our very streets. You find me over the top – an indignant huffing and hum of “Don’t want to look, there’s really no need”.
And I believe you. It’s where I am too.
I used to think that Satre’s protagonist in Nausea was a man of outstanding consciousness. Seeing a cold world passing him by.
He was not – just avoiding.
I don’t think Satre himself was avoiding. Even if he did bring his mistress with him on is hholidays with Simone de Beauvoir.
Friday, 5 December 2008
Thursday, 4 December 2008
Diary of an unborn writer #1
What sensitivity does to the unready soul! The most sublime experience and readiness to understand. The potential to seize and replicate in the most varied song the humdrum of everyday. It is the acknowledgement of everyday that keeps these boys dreaming. Unreadiness to experience it to its coarse tip. And ironically know its coarsest flavour.
The fire is out, and spent the warmth thereof,
(This is the end of every song man sings!)
The golden wine is drunk, the dregs remain,
Bitter as wormword and as salt as pain;
And health and hope have gone the way of love
Into the drear oblivion of lost things
Dregs ~ Ernest Dowson
Dowson was perpetually infatuated with young girls. A trait his friends saw as a sign of his purity of heart.
To me it's as though he couldn't stop dreaming.
Absinthe - the splendid hallucinogen - is symptomatic of those that dare to dream but are desperate not to fall. Young, beautiful men that grow not old even as they that are left grow old. In old age they yearn for simplicity and retreat into childish fancy or else abhor worldly stench while simultaneously revelling in it.
The delight of those that would reference it plum-mouthed and giddy at the romanticism of the green fairy without daring to even peek beneath the veils that these romeos tried to lift.
That they saw was perhaps too much for those - as we've said - who are unready.
The dens of Dowson, Wilde and co. were the fowlest, most sublime you'd ever meet. The troughs of Lautrec, Van Gogh, Verlaine - spilling nectar of broken hearts. They that knew how fine things could be, and saw how desperate they were.
And now are, though we cloak it in ceremonial self-reference, digitised and anaesthetised. How many of us can say we've lived even a speck of these fin-de-siecle adventurers.
Too responsible. Too afraid. Too dead.
Dear boys what is the world to do with you, but celebrate your inspiration and spit on your misery. Probably spit on both.
They is no use for the grand observers, simply because they refuse to disguise or use disguises so grotesque they remind the others of their own false dreaming - the strategy to cut off inspiration for the pain of falling.
Dear men.
I've found Dowson's story as inspiration to find some stability. To experience drudgery to its very tip, and pray that inspiration finds me well on the other side. I've no wish to wash up dead, however romantically.
But to recall what might have been - that is a luxury I can ill-afford to lose.
Retrospective dreaming. Anticipative wistfulness.
Solidad - nostalgia for a time that has not yet passed.
Or couldn't, even.
Diary of an unborn writer #1
What sensitivity does to the unready soul! The most sublime experience and readiness to understand. The potential to seize and replicate in the most varied song the humdrum of everyday. It is the acknowledgement of everyday that keeps these boys dreaming. Unreadiness to experience it to its coarse tip. And ironically know its coarsest flavour.
The fire is out, and spent the warmth thereof,
(This is the end of every song man sings!)
The golden wine is drunk, the dregs remain,
Bitter as wormword and as salt as pain;
And health and hope have gone the way of love
Into the drear oblivion of lost things
Dregs ~ Ernest Dowson
Dowson was perpetually infatuated with young girls. A trait his friends saw as a sign of his purity of heart.
To me it's as though he couldn't stop dreaming.
Absinthe - the splendid hallucinogen - is symptomatic of those that dare to dream but are desperate not to fall. Young, beautiful men that grow not old even as they that are left grow old. In old age they yearn for simplicity and retreat into childish fancy or else abhor worldly stench while simultaneously revelling in it.
The delight of those that would reference it plum-mouthed and giddy at the romanticism of the green fairy without daring to even peek beneath the veils that these romeos tried to lift.
That they saw was perhaps too much for those - as we've said - who are unready.
The dens of Dowson, Wilde and co. were the fowlest, most sublime you'd ever meet. The troughs of Lautrec, Van Gogh, Verlaine - spilling nectar of broken hearts. They that knew how fine things could be, and saw how desperate they were.
And now are, though we cloak it in ceremonial self-reference, digitised and anaesthetised. How many of us can say we've lived even a speck of these fin-de-siecle adventurers.
Too responsible. Too afraid. Too dead.
Dear boys what is the world to do with you, but celebrate your inspiration and spit on your misery. Probably spit on both.
They is no use for the grand observers, simply because they refuse to disguise or use disguises so grotesque they remind the others of their own false dreaming - the strategy to cut off inspiration for the pain of falling.
Dear men.
I've found Dowson's story as inspiration to find some stability. To experience drudgery to its very tip, and pray that inspiration finds me well on the other side. I've no wish to wash up dead, however romantically.
But to recall what might have been - that is a luxury I can ill-afford to lose.
Retrospective dreaming. Anticipative wistfulness.
Solidad - nostalgia for a time that has not yet passed.
Or couldn't, even.
Wednesday, 3 December 2008
Me
Tell me whatyou wish for most in the world?
I wish for inspiration that could move a monster to tears
Allow a great wake up of civilisation's monstrous ways
Let it know the sweeter things, stop dabbling in mirages.
Dear tell me - how you wish to take this part yourself?
In the first part I'm a lover. Providing for my muse, subservient to her every wish.
Her breakfast is the golden dawn of rose petals, ambrosia her dinner.
Our hours are spent in silent mutual appreciation.
We sit in a wooden cottage deep in the forest, by a stream, made available for dearest friends to drop by for amiable weekends.
In the second I'm an artist, cultivating from life its richest threads woven in mysterious tapestries and hung from sky scrapers to challenge, bemuse, delight and horrify.
I'm a defender of truth, a slayer of wrong. My works challenge and absorb, sting apathetic youth into meaningful contemplation and wake the lazy old from slumber.
I'm a reminder of life sweetly, honestly lived. The dance of a thousand romeos at the service of your soul.
In the third, I'm healer, bringing all disharmony into whole. I am the culler of negativity, the alchemist trading your base metal for pure gold. I raise prostitutes to queens and renegades to silent destiny. I'm the winner of all that was never lost, champion for you in your misery to rise up and quell. Reach down and bear you to safety.
Keep the dear ones alive. Alive to their overwhelming possibility.
Show the sinner their broken heart is ripest for mending, the afraid that theirs is the least of challenges.
The blind that their eyes are already open and give the jealous a tender cheek caress, let them know it's OK.
I am the challenger of wisdom the deceiver of peace, the underminer of all that is known and forgotten.
Dear one, I am also this.
In the fourth I am a dreamer, away from the terrible hum.
Eyes pointed to the sky, missing Earth's dreaded overgrowth and serpent designs, cajoling and puking.
I am sunset skies as war rages beneath, angels out of devils reach.
A life imagined far better than any could think, it is none the less, a life barely lived.
And the fifth sweet one,
Is available entirely for you.
Right now.
Speak.
Me
Tell me whatyou wish for most in the world?
I wish for inspiration that could move a monster to tears
Allow a great wake up of civilisation's monstrous ways
Let it know the sweeter things, stop dabbling in mirages.
Dear tell me - how you wish to take this part yourself?
In the first part I'm a lover. Providing for my muse, subservient to her every wish.
Her breakfast is the golden dawn of rose petals, ambrosia her dinner.
Our hours are spent in silent mutual appreciation.
We sit in a wooden cottage deep in the forest, by a stream, made available for dearest friends to drop by for amiable weekends.
In the second I'm an artist, cultivating from life its richest threads woven in mysterious tapestries and hung from sky scrapers to challenge, bemuse, delight and horrify.
I'm a defender of truth, a slayer of wrong. My works challenge and absorb, sting apathetic youth into meaningful contemplation and wake the lazy old from slumber.
I'm a reminder of life sweetly, honestly lived. The dance of a thousand romeos at the service of your soul.
In the third, I'm healer, bringing all disharmony into whole. I am the culler of negativity, the alchemist trading your base metal for pure gold. I raise prostitutes to queens and renegades to silent destiny. I'm the winner of all that was never lost, champion for you in your misery to rise up and quell. Reach down and bear you to safety.
Keep the dear ones alive. Alive to their overwhelming possibility.
Show the sinner their broken heart is ripest for mending, the afraid that theirs is the least of challenges.
The blind that their eyes are already open and give the jealous a tender cheek caress, let them know it's OK.
I am the challenger of wisdom the deceiver of peace, the underminer of all that is known and forgotten.
Dear one, I am also this.
In the fourth I am a dreamer, away from the terrible hum.
Eyes pointed to the sky, missing Earth's dreaded overgrowth and serpent designs, cajoling and puking.
I am sunset skies as war rages beneath, angels out of devils reach.
A life imagined far better than any could think, it is none the less, a life barely lived.
And the fifth sweet one,
Is available entirely for you.
Right now.
Speak.
Thursday, 27 November 2008
Hesq the enchanter
Let me draw you're startled attention to Hesq's recent, extraordinary output - over at Gonzo.
Love, like it never felt like dying,
Si
Hesq the enchanter
Let me draw you're startled attention to Hesq's recent, extraordinary output - over at Gonzo.
Love, like it never felt like dying,
Si
Dear two
You enjoyed special glimpses to remember by
Lighting days with wishes of dreams fulfilled
Stark glances at the jewels in front of you
Dear two
You're lost
And perhaps better that way
Dear two
You enjoyed special glimpses to remember by
Lighting days with wishes of dreams fulfilled
Stark glances at the jewels in front of you
Dear two
You're lost
And perhaps better that way
Tuesday, 18 November 2008
Thursday, 13 November 2008
Tuesday, 4 November 2008
What you think?
David Icke speaks with some theatre but some accuracy about the world today. The style of his performance makes it easy to accept or reject out of hand.
Do we think this is really going on?
Keep an open mind and don't let fear or desire for an easy answer sway you.
I've written a little more on this over at Gonzo.
What you think?
David Icke speaks with some theatre but some accuracy about the world today. The style of his performance makes it easy to accept or reject out of hand.
Do we think this is really going on?
Keep an open mind and don't let fear or desire for an easy answer sway you.
I've written a little more on this over at Gonzo.
Thursday, 30 October 2008
Tuesday, 28 October 2008
The civilising impulse
Make it safe to consume
Endow us with novelty
Without social penalty
This -dear friends -
Is progress
The civilising impulse
Make it safe to consume
Endow us with novelty
Without social penalty
This -dear friends -
Is progress
Wanderer
That coasts scar his eyes, mountains his sleep
Feet tired for walking
He'll rest where he can
Shuttered eyes, stirring breeze
Origins as bleak as future
The walk grasps and lets go with each boot-imprinted mud, sand or purple-budded branch broken on the heath.
His mouth pursed speaks loudly to any encounterer
Explains perfectly why he's here:
"The road goes and with it go I. Your houses are cess-pools of stagnated ways. Give me the air which is nothing. Patch of bracken to put this head on. Anything to say or shall I move on?"
Desperate ways have we know but nothing of the shame simplicity brings.
Wanderer
That coasts scar his eyes, mountains his sleep
Feet tired for walking
He'll rest where he can
Shuttered eyes, stirring breeze
Origins as bleak as future
The walk grasps and lets go with each boot-imprinted mud, sand or purple-budded branch broken on the heath.
His mouth pursed speaks loudly to any encounterer
Explains perfectly why he's here:
"The road goes and with it go I. Your houses are cess-pools of stagnated ways. Give me the air which is nothing. Patch of bracken to put this head on. Anything to say or shall I move on?"
Desperate ways have we know but nothing of the shame simplicity brings.
Thursday, 23 October 2008
Thursday, 16 October 2008
Sunday, 12 October 2008
Wipeout
Tear drop begins descent
Falling wastes crash undeterredly
You’re unleavened
Unsaid
Casted marks and plush asunder
Faced with no doubt splendid blooms
You mix the castes in putrid pastry
Rotten thread rotten loom
Figure in your wideout misstery
You’ve flagged
Gotten rad
Dead soon
{an ode to G7 ministers}
Wipeout
Tear drop begins descent
Falling wastes crash undeterredly
You’re unleavened
Unsaid
Casted marks and plush asunder
Faced with no doubt splendid blooms
You mix the castes in putrid pastry
Rotten thread rotten loom
Figure in your wideout misstery
You’ve flagged
Gotten rad
Dead soon
{an ode to G7 ministers}
A love poem
It has much longer gnashers
Made of corn and disaster cane
And welted banana flashes
It ties and grips and doesn’t move
Or freely when it’s fine
Otherwise parched and lucid
Painful, failing vine.
Love cuts without rhythm or blade
Needs barely want excuses
But excuses for time the deeper cut
Love demands
And loses.
A love poem
It has much longer gnashers
Made of corn and disaster cane
And welted banana flashes
It ties and grips and doesn’t move
Or freely when it’s fine
Otherwise parched and lucid
Painful, failing vine.
Love cuts without rhythm or blade
Needs barely want excuses
But excuses for time the deeper cut
Love demands
And loses.
Saturday, 11 October 2008
Thursday, 9 October 2008
Summer Ones You Win
We are naked on the red sitting room carpet
Open curtains daring early rising neighbours to see...
See innocence unfurled
Washed of itself and smelling of come
My back on carpet,
Your back on carpet
White ceiling greeting rising breath
A look to you
Brown eyes at me
Warning
This may not be it
Heaven wrecked your body
Cast curses on breasts, thighs
Puked up so some rare mortals
Could taste
Tongue tip angelic fles
Cold eyes bake 4am
Goose pimples provoke
Stroked
Sips from a glass
You gasp as cold drops down
The inward curve of your thigh
Cooling it
‘Love comes here not often’
You look away
Calling
For a time this couldn’t be true
Back of fingers roll shoulder, elbow, hand
Fingers reply in faint recognition
Though tender, substantial
Gaze that this time it could be
Gaze and look for nothing
Gaze than what is offered
Gaze
I curl you in purple fleecy nylon gown
Grey blanket round us two
Gaze
Head yields to my shoulder
Barest incline
Before you realise this is too much and pull away
---- pssst! - this follows this - see how the ball goes round? -----
Summer Ones You Win
We are naked on the red sitting room carpet
Open curtains daring early rising neighbours to see...
See innocence unfurled
Washed of itself and smelling of come
My back on carpet,
Your back on carpet
White ceiling greeting rising breath
A look to you
Brown eyes at me
Warning
This may not be it
Heaven wrecked your body
Cast curses on breasts, thighs
Puked up so some rare mortals
Could taste
Tongue tip angelic fles
Cold eyes bake 4am
Goose pimples provoke
Stroked
Sips from a glass
You gasp as cold drops down
The inward curve of your thigh
Cooling it
‘Love comes here not often’
You look away
Calling
For a time this couldn’t be true
Back of fingers roll shoulder, elbow, hand
Fingers reply in faint recognition
Though tender, substantial
Gaze that this time it could be
Gaze and look for nothing
Gaze than what is offered
Gaze
I curl you in purple fleecy nylon gown
Grey blanket round us two
Gaze
Head yields to my shoulder
Barest incline
Before you realise this is too much and pull away
---- pssst! - this follows this - see how the ball goes round? -----
Responsibility
And this also, though the word lie heavy upon your hearts:
The murdered is not unaccountable for his own murder,
And the robbed is not blameless in being robbed.
The righteous is not innocent of the deeds of the wicked,
And the white-handed is not clean in the doings of the felon.
Yea, the guilty is oftentimes the victim of the injured,
And still more often the condemned is the burden-bearer for the guiltless and unblamed.
You cannot separate the just from the unjust and the good from the wicked;
For they stand together before the face of the sun even as the black thread and the white are woven together.
And when the black thread breaks, the weaver shall look into the whole cloth, and he shall examine the loom also.
If any of you would bring judgment the unfaithful wife,
Let him also weight the heart of her husband in scales, and measure his soul with measurements.
And let him who would lash the offender look unto the spirit of the offended.
And if any of you would punish in the name of righteousness and lay the ax unto the evil tree, let him see to its roots;
And verily he will find the roots of the good and the bad, the fruitful and the fruitless, all entwined together in the silent heart of the earth.
And you judges who would be just,
What judgment pronounce you upon him who though honest in the flesh yet is a thief in spirit?
What penalty lay you upon him who slays in the flesh yet is himself slain in the spirit?
And how prosecute you him who in action is a deceiver and an oppressor,
Yet who also is aggrieved and outraged?
And how shall you punish those whose remorse is already greater than their misdeeds?
Responsibility
And this also, though the word lie heavy upon your hearts:
The murdered is not unaccountable for his own murder,
And the robbed is not blameless in being robbed.
The righteous is not innocent of the deeds of the wicked,
And the white-handed is not clean in the doings of the felon.
Yea, the guilty is oftentimes the victim of the injured,
And still more often the condemned is the burden-bearer for the guiltless and unblamed.
You cannot separate the just from the unjust and the good from the wicked;
For they stand together before the face of the sun even as the black thread and the white are woven together.
And when the black thread breaks, the weaver shall look into the whole cloth, and he shall examine the loom also.
If any of you would bring judgment the unfaithful wife,
Let him also weight the heart of her husband in scales, and measure his soul with measurements.
And let him who would lash the offender look unto the spirit of the offended.
And if any of you would punish in the name of righteousness and lay the ax unto the evil tree, let him see to its roots;
And verily he will find the roots of the good and the bad, the fruitful and the fruitless, all entwined together in the silent heart of the earth.
And you judges who would be just,
What judgment pronounce you upon him who though honest in the flesh yet is a thief in spirit?
What penalty lay you upon him who slays in the flesh yet is himself slain in the spirit?
And how prosecute you him who in action is a deceiver and an oppressor,
Yet who also is aggrieved and outraged?
And how shall you punish those whose remorse is already greater than their misdeeds?
Tuesday, 7 October 2008
Freewill demystifying
Find ourselves so ensnared
Great miracle ball of freedom
Let me find in you
What needs to be seen
For freedom's exile
Ruins days that I withdraw by
Echoing deeper into cavernous excuse
Of seclusion
I'm fading
Help me glow
Freewill demystifying
Find ourselves so ensnared
Great miracle ball of freedom
Let me find in you
What needs to be seen
For freedom's exile
Ruins days that I withdraw by
Echoing deeper into cavernous excuse
Of seclusion
I'm fading
Help me glow
Saturday, 4 October 2008
Alistair Cooke and the Human Situation
Is it possible that Robert F. Kennedy was shot because America wasn't ready for the level of liberality he propounded? Sirhan B. Sirhan was thus the finger that pulled the trigger at the end of America (and the world's?) ill-equipped arm.
Could a man be allowed to commit such a crime in a society that could not in its deepest psychological recesses, tolerate it?
It's the opinion of this blog that Mind is not separate, nor belonging to any one individual. Though we may hide from our own scruples and indignities, unless honestly confronted, they will inevitably be brought out in the Mind of another.
A dear friend would draw sneers for suggesting we are responsible for Africa's poverty. I believe he was right. The Earth operates as a single mind, the most conscious aspect of it contributing inevitably to its least.
This is a subtler argument than tying world history in a relentlessly deterministic web. But the cause from the least of our minds must be the responsibility of all.
And respond in what way? - honesty, integrity, engagement, love, courage to fulfil these and forgiveness of others and ourselves when we err in these high aspirations. I do not write these things, they've been said by sages since year dot.
But Cooke here is explicit about responsibility for our own conscience, preferring a dispassionate view of events rather than interment in a cyclic whirr of laying of blame.
I'm sick of intellectual and historical depictifying "To what extent was x responsible..." (hence the question in this blog being on the widest scale possible - universal causality)
The only answer to which is "Completely" and at the same time "Not at all".
See what you think of Campbell's article. As always your comments are warmly invited.
Alistair Cooke on Robert F. Kennedy's assassination (from The Guardian):
There was a head on the floor, streaming blood, and somebody put a Kennedy boater under it, and the blood trickled down like chocolate sauce on an iced cake....I heard somebody cry, "Kennedy - shot," and heard a girl moan, "No, no, not again," and my companion was fingering a cigarette package like a paralytic. A dark woman suddenly bounded to a table and beat it, and howled like a wolf, "Stinking country, no, no, no, no" at the placid television commentators who had not yet got the news.
Well, the next morning when I saw and heard the Pope in his gentle, faltering English, I still could not believe that he was talking about this squalid, appalling scene in a hotel pantry that I had been a part of and would always be a part of. I have no doubt that this experience is a trauma, and because of it, no doubt, several days later, I still cannot rise to the general lamentations about a sick society.
I for one do not feel like an accessory to a crime, and I reject almost as a frivolous obscenity the sophistry of collective guilt, the idea that I or the American people killed John Fitzgerald Kennedy and Martin Luther King and Robert Francis Kennedy.
I do not believe either that you conceived Hitler and that, in some deep unfathomable sense, all Europe was responsible for the extermination of six million Jews. With Edmund Burke, I do not know how you can indict a whole nation. To me, this now roaringly fashionable theme is a great folly. It is difficult to resist, because it deflects an attack at one's own conscience to some big corporate culprit.
It sounds wise and deep, but really is a way of opting out of the human situation.